Motion graphic designer / 3D branding / visual systems
Reel
More Than Speed explores Formula 1 as a system of strategy, control, data, and precision visualizing the tension between mechanical performance, split-second decisions, and the invisible forces behind racing.
A conference launch package built around modular energy systems, combining abstract 3D motion, clean interface panels, and rhythmic reveal timing to visualize transformation, connection, and collective creative momentum.
A fan-made Valorant Prime Sheriff skin concept, reimagining the Prime visual language through original 3D modeling, crystalline materials, and cinematic motion inspired by the official Prime trailer aesthetics.
A conceptual title sequence for We, using transparent materials, rigid Soviet-inspired architecture, and cold UI systems to visualize surveillance, privacy loss, and oppression through excessive order.
A promotion video for DesignSpring, using measured compositions, material textures, and motion graphics to present contemporary Chinese design as a structured, evolving cultural and visual system.
A public-service animation exploring environmental damage through contrast, placing organic natural forms against rigid grids, measurements, and technical systems to reveal how human intervention reshapes and restricts nature.
A museum promotion concept inspired by Sanxingdui, using 3D motion graphics to reimagine ancient artifacts, ritual symbolism, and mysterious cultural memory for a contemporary visual audience.
A 3D concept art piece reflecting on ecological crisis and artificial intelligence, using symbolic hybrid forms to question human dominance, technological ambition, and the fading reverence for nature.
Yingzhou Zhang | Calvin
Motion Grahic Designer
Undergraduate: Michigan State University | Major in Media & Information
Graduate: Savannah Colloege of Art and Design | Major in Motion Media Design
Motion Designer specializing in design-driven animation, visual systems, and temporal composition. I focus on using motion, typography, and hierarchy as design tools to structure information and guide perception over time. Experienced in developing concept-led motion pieces with Cinema 4D, After Effects, and Unreal Engine, emphasizing pacing, structure, and intentional design decisions.
